Track listing:
01. Recitazione Corale
02. Fruscio Di Forglie Verdi
03. L'Ultima Corrida
04. Abolicao
05. Quant'e' Bella Giovinezza
06. L'Arcidiavolo (Titoli)
07. Doricamente
08. A Qualsiasi Prezzo
09. Agente Speciale LK Operazione Re Mida (Carnival Party)
10. E Tornato Sabata (Hai Chiusu Un'Altra Volta)
11. Marda Degli Acattoni
12. Mucchio Selvaggio
13. Indio Black
14. Scusi Facciamo L'Amore
15. 4 3 2 1 Morte
16. Mr Dante Fontana
17. Alla Luce Del Giorno
18. Quand'ero Un Bebe
19. I Love You
20. L'Arcangelo
21. Bob & Helen
22. Cinque Bambole Rosa
23. Anghingo
24. Pazzia In Cielo
25. Belinda May
26. Lo Scatenato
27. Getaway
note:
One of the key forces in the Italian soundtrack scene of
the 60s
finally given their due in a CD of their own! I Cantori
Moderni never really made any records on their own, but
they were a key part of soundtrack work by some of the best
Italian composers of their generation
including Ennio Morricone, Armando Trovajoli, Bruno Nicolai,
Piero Umiliani, and Luis Bacalov
all of whom were lucky enough to have the group work on
their music! The ensemble is headed by Alessandro Alessandroni
who himself contributed much to soundtracks of the time
and like their maestro, they've got a great way with many
styles
from spookier mood music, to sexy erotica, to upbeat, groovy
tunes.
This 27 track package pulls together some of the best bits
from the group's late 60s and early 70s work on Italian
soundtracks
music by all the composers listed above, from films that
include Theorem, Queimada, Le Foto Proibite, Sette Volte
Sette, Lo Scatenato, Maddalena, L'Alibi, Don Giovonni In
Sicilia, Metti Una Sera A Cena, Scusi Facciamo L'Amore,
and 4 3 2 1 Morte
Though Ennio Morricone revolutionised the art of movie
soundtracks during the golden age of Italian cinema, for
most people his trademark sound is the combination of haunting
whistling, wordless choirs and plangent, Duane Eddy-style
guitar that formed part of the aural landscape of Sergio
Leone¹s so-called spaghetti westerns. And it is impossible
to imagine these works existing in all their atmospheric,
multi-textured splendour without the extraordinary talents
of Alessandro Alessandroni and his remarkable choir I Cantori
Moderni. During the sixties, Cantori established a reputation
for almost infinite versatility, regardless of the demands
made by some of Italy’s most prestigious film composers
and this set showcases their fantastic ability
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