Track listing:
01. Guaiaba (03:18)
02. Reflection In The Night (03:00)
03. Moment (00:21)
04. Sigma Alpha (02:11)
05. Down Down Down (02:30)
06. Musical Line (02:27)
07. Testament Of Revolt (03:44)
08. Conversation (01:45)
09. Sex Revolution On Campus (02:06)
10. Speaking Of Silence (07:56)
11. Comedy In Music (01:42)
12. Catching (02:34)
13. Guaiaba (03:09)
14. La Morte Ha Fatto L’Uovo (bonus track # 1) (03:18)
15. La Morte Ha Fatto L’Uovo (bonus track # 2) (00:58)
16. La Morte Ha Fatto L’Uovo (bonus track # 3) (02:17)
17. La Morte Ha Fatto L’Uovo (bonus track # 4) (03:07)
18. La Morte Ha Fatto L’Uovo (bonus track # 5) (01:01)
19. La Morte Ha Fatto L’Uovo (bonus track # 6) (01:42)
20. La Morte Ha Fatto L’Uovo (bonus track # 7) (00:49)
21. La Morte Ha Fatto L’Uovo (bonus track # 8) (01:12)
22. La Morte Ha Fatto L’Uovo (bonus track # 9) (00:58)
23. La Morte Ha Fatto L’Uovo (bonus track # 10) (00:47)
tracks 1-13 stereo
tracks 14-23 mono
note:
Previously released on LP by Cinevox in 1968, we are proud
to announce the CD premiere release of this challenging
avantgarde soundtrack by Bruno Maderna who only scored a
handful of films in the 50s and 60s.
However, this one has the ability to haunt you forever.
Quirky stuff indeed, a perfect companion to the equally
weird film by Guilio Questi.
Presented in a 6-page digipak with our usual high-standard
contents, the disc itself will contain the original LP in
full stereo as well as 10 previously unheard bonus tracks
in mono
all in all 54 minutes of very uneasy listening!
"Bruno Maderna's score perfectly captures the films
paranoia atmosphere with its dissonant tones and bizarre
arrangements." (Michael Den Boer, 10,000 Bullets)
"... a crazed musical score from Bruno Maderna - this
composer's mix of woozy strings and discordant jazz guitar
is guaranteed to make you edgy and nervous ..." (Don
Guarisco, DVD Maniacs)
"... Bruno Maderna's bizarre score, which somehow
manages to be incredibly annoying and completely appropriate
at the same time ..." (Michael Mackenzie, DVD Times)
"The avant-garde Bruno Maderna score is violent and
nerve-wracking." (Chris Fujiwara/A. S. Hamrah, Hermenaut)
"Bruno Maderna's score is akin to the sound of chalk
screeching across a blackboard ..." (Robert Monell,
I'm In a Jess Franco State of Mind) |
