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les cauchemars nassent
la nuit
(1970) |
| composer: bruno
nicolai
label: digitmovies
AKA: Nightmares Come at Night, los Ojos de la noche,
Pesadelos Noturnos, Sangre en la noche, les Yeux de
la nuit
total duration: 01.05.63
soundtrack style: drama
horror
thriller |
|
| tracks |
| 01. Tra sogno e vita
02. Le streghe
03. Tra sogno e vita
04. Climax
05. Tempio
06. Climax
07. Giostra
08. Tra sogno e vita
09. Infrarosso
10. Lo specchio
11. Cocktail
12. Verde selvaggio
13. Le streghe
14. Amori
15. Tra sogno e vita
16. Lo specchio
17. Le streghe # 2
18. Tra sogno e vita |
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| further information |
| 8 page colour booklet |
| |
| description |
After having widely documented the collaboration
between Jess Franco and Bruno Nicolai with a series of Cds dedicated
to the soundtracks of the Roman composer for the cult-movies
of the Spanish director, Digitmovies newly ventures into the
wonderful territory between mystery and eroticism of Jess Franco,
releasing on CD for the first time the rare complete and stereo
OST by Bruno Nicolai from the Franco movie realized in 1970:
Les cauchemars nassent la nuit (aka Nightmare come at night)
starring Diana Lorys, Paul Muller, Jack Taylor, Colette Giacobine,
Soledad Miranda (under the pseudonym of Susan Korda).
The movie tells the ambiguous story of two female exotic dancers
who embark on an erotic friendship which takes a turn when one
of them begins having recurring nightmares of her killing people
and where the line between realty and fantasy begins to blur
to the most extreme.
This OST was never released on record officially, even if some
tracks were possibly included on library albums of Edipan.
For this CD we have used every note recorded those days: the
master tapes kept in the Edipan vaults were rescued in very
good conditions and in full stereo.
For this movie Bruno Nicolai has written an OST of experimental
kind, perfect as background for the protagonist's recurrent
nightmares and.
Tra sogno e vita, the original main titles (Tr. 1), after an
intro of ethnic sound effects presents a medley of experimental
motifs, developed later in the OST, among them, in a theme for
atonal strings reprised in Tr. 3, Tr. 8, Tr. 15, Tr. 18.
Bruno Nicolai alternates experimental atmospheres with piano
and percussions (Tr. 4, Tr. 6), with suspended motifs for guitar,
organ and light percussions (Tr. 10, Tr. 16) and with a magic
love theme (Tr. 14).
Lounge style music is also enclosed that reflects the trends
and the life style of those days with two long tracks, a slow
one with sax, organ and rhythmics for the scene of striptease
(Tr. 9) and a shake dancefloor music that, after a Spanish flavoured
guitar introduction, is developed with organ, distorted guitars
and drums for the dance scene during a party (Tr. 11). |
| |
| story |
Director Jesus Franco remade his 1965 thriller
Miss Muerte as a pure exploitation piece in this Liechtenstein-produced
film starring Diana Lorys. The film concerns Anne, a dancer
at a Yugoslavian nightclub who moves in with a conniving lesbian
named Cincia. Cincia is scheming with Anne's doctor to eliminate
witnesses from a jewel robbery they committed, and she hypnotizes
Anne to carry out the murders. Meanwhile, Anne has the sensation
of going insane, as she is unsure whether the murders are
nightmares or reality. In an increasingly frantic state, Anne
commits suicide, forcing a showdown between Cincia and the
doctor. This film features plentiful nudity involving cult
favorites Soledad Miranda and Maria Rohm.
Cast:
Diana Lorys, Paul Muller, Jack Taylor, Colette Giacobine,
Cynthia Robins, Andrés Monales, Soledad Miranda
Director:
Jess Franco |
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