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| composer: franco
micalizzi
label: digitmovies
AKA: The Devil Within Her, Beyond the Door, Beyond
Obsession, Behind The Door, Who?
total duration: 00.50.23
soundtrack style: horror |
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| tracks |
The original album (stereo)
01. Bargain with the Devil
02. Jessica's Theme
03. Dimitry's Theme
04. Robert's Theme
05. Jessica's Theme
06. Family's Theme
07. Bargain with the Devil
08. Flute Sequence
09. Dimitry's Theme
10. Family's Theme
Bonus tracks (mono)
11. Chi Sei? (prologue)
12. Jessica's Theme # 03
13. Bargain with the Devil # 03
14. Flute Sequence # 02
15. Jessica's Theme # 04
16. Dimitry's Theme # 03 |
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| further information |
| Limited edition of 500 copies |
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| description & story |
Digitmovies is glad to issue on CD the complete
edition of the OST by Franco Micalizzi for the movie Chi Sei?
which was directed by four hands in 1974 by producer Ovidio
Assonitiis under the pseudonym of Oliver Hellman, and by Roberto
D'Ettore Piazzolli under the pseudonym of R. Barrett.
It was the first of a long series of movies produced in Italy
in the wake of the huge success of the Friedkin movie The
Exorcist.
The movie begins with the off-screen voice of the devil who
warns the audience that they are going to attend a kind of
dark fable.
A mysterious man called Dimitri (magistrally played by Richard
Johnson) is going to fall from a cliff with his car, the time
stops and the devil gives him another chance:
In an indefinite span of time he must bring to life the son
of devil.
The demon's future mother is a young family mother (played
by Juliet Mills) who begins to behave violently against her
family members.
The husband Robert (Gabriele Lavia), worried about his wife's
health, confides in a doctor who discovers that the woman's
pregnancy is proceeding in an unnatural way.
The family life is upset by several supernatural events, the
children of the couple, a male and a female, are terrorized
and are sent to a girl friend's house.
The meeting of Robert and Dimitri will become a crucial turning
point to the plot... the son will be born dead and the fate
of Dimitri will be marked forever.
For many years the Assonitis' movie was unrightly labelled
as a clone of The Exorcist.
The only point in common with the Friedkin movie is the woman's
possession.
In Chi sei? religious elements are totally missing, there
are no priests nor crosses nor exorcisms... all is told in
an almost realistic way.
The big protagonist of the movie is time itself which is fragmented
by so many bright movie director's ideas.
Noteworthy are the scenes with the meetings between Robert
and Dimitri, in one scene we see the subjective viewpoint
of Dimitri who is going down in the external lift of a building
(the movie takes place in San Francisco) and sees Robert approaching.
The sequence is repeated three times till the meeting itself
where the two men look at themselves, and here the brilliant
touch happens:
For a few seconds the flashing writing Chi Sei? appears on
a black background;
that writing is missing in some copies of the movie for foreign
countries.
Another sequence in which a pregnant woman kept bound up in
her straightjacket is flailing in the bed is repeatedly stopped
by freeze-frames.
At the end the director leads to narrative conclusion of Chi
sei? with the final scene of the couple's little son who on
a ferry throws a little model of a car into the sea and at
the same time DImitri's car is falling into the sea marking
his end.
Chi sei? is known in foreign countries under the title Beyond
The Door, in 1977 the Mario Bava movie Schock was distributed
in foreign countries with the title Beyond The Door 2 but
the only common point between the two movies is the presence
of the actor who plays the role of the child in the finale
of Chi sei?.
Last curiosity:
In the back inlay we have included the still of an original
advertising paper which in those days was distributed in front
of the theatre's entrance where Chi Sei? was screened.
Franco Micalizzi has written one of the best soundtracks
of his long career and we are really glad that to make all
his fans happy by releasing on CD this OST with extra music
approved by the composer.
C.A.M. never issued a CD with this score in their series Soundtrack
Encyclopedia and a very hard to find Japanese CD did appear
only in Japan in autumn 2002.
Till now the album material was only available in digital
download format.
Franco Micalizzi has created magic pop atmospheres, always
in unstable balance between sacred and profane like the song
Bargain To The Devil.
To realize this CD we could use the first generation stereo
master tape of the original 33rpm album and we also could
have access to the master with the complete session mixed
in mono which gave us the chance to discover about 19 minutes
of unreleased material:
The alternate versions of the album tracks and the electronic
prelude which can be heard at the beginning of the movie (Tr.
11), all properly restored and remastered in digital for the
joy of this genre's fans. |
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