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| €
15.50 |
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| tracks |
01. Espanto En El Corazon **
02. Momento Drammatico *
03. Tema Dolores
04. Allegro Cuchillo! *
05. Mulini A Vento
06. Le Peripezie Di Dolores *
07. Corri Uomo, Corri
08. Bandidos *
09. Povero Peone! *
10. Il Mondo Di Cuchillo
11. La Sfida
12. Sepoltura *
13. Cuchillo Fugge *
14. Dolores Cerca Cuchillo *
15. Liberazione Di Cuchillo *
16. Una Donna Innamorata
17. Arrivo Di "El General" *
18. Mexico Libre *
19. Viaggio
20. Mulini A Vento
21. Inseguimento Nella Neve *
22. Notturno *
23. Ricerca Dell'Oro
24. Nella Chiesa *
25. Americana
26. Verso Terre Lontane
27. Fuga Dall'Ovest
28. Verso Il Texas *
29. Ricerca Dell'Oro
30. Duello
31. Cieli Azzurri E Terre Verdi
32. La Libertà Trionfa (Finale)
33. Espanto En El Corazon
* Previously unreleased
** First Time On CD |
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| further information |
| 8 page colour booklet containing intro, synopsis,
colour movie stills and original poster art |
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| description |
Digitmovies presents the complete original motion
picture soundtrack composed by Bruno Nicolai for the classic
Italian western movie Corri uomo corri.
Directed in 1968 by Sergio Sollima, the movie stars Tomas Milian
as the good but unlucky Peone Cuchillo and the noted cuban actress/dancer
Chelo Alonso as girlfriend Dolores, in the continuous and desperate
search for her lover among troubles and sunny lands.
This CD de-luxe edition was made possible thanks again to the
big help of the team of C.A.M. who have approved our project
and have given us the permission to use the complete stereophonic
mastertapes of the 1968 recording session.
In the original tapes we could discover tracks that were not
on the original C.A.M. 33 rpm Album: reprises of the main themes,
but also totally new material.
This OST frequently features as protagonist the fabulous choir
of I Cantori Moderni di Alessandroni.
Their performance enriches the instrumental themes for large
orchestra.
For this Italian western movie Bruno Nicolai composed a true
musical masterpiece: epic, romantic, dramatic, desperate, adventurous,
dominated by a main theme with revolutionary flavour called
Espanto en el corazon.
The song is presented as both the moving film version, sung
by Tomas Milian (Tr. 1), and the alternate album version sung
by Peter Boom (Tr. 33).
Strangely, the Milian version, heard effectively during the
opening credits, was only recorded on the 45 rpm single C.A.M.,
while on the 33 rpm album C.A.M. and on the successive C.A.M.
CD re-issue only the Boom version has appeared.
Bruno Nicolai recorded several variations of the main theme:
a joyful arrangement for whistle and guitar performed by Alessandroni
(Tr. 4), a slow version for guitar and choir (Tr. 9), slow and
pastorale versions for oboe, guitar and strings (Tr. 10, Tr.
26), a fast and dramatic one (Tr. 13), a choral and patriotic
(Tr. 17), a capella with mixed choir (Tr. 18), for solo guitar
(Tr. 22), for choir and orchestra (Tr. 28, Tr. 32).
The second recurrent motif is Tema Dolores, a rhythmic Mexican
mariachi for female voices and orchestra, introduced first in
Tr. 3 and reprised later with different versions in Tr. 6, Tr.
7 (incl. a short reprise of the main theme as well),Tr. 14,
Tr. 16.
The third recurrent theme is an epic, extremely lyric and nostalgic
motif introduced by choir with a pop arrangement for guitars
(Tr. 12), reprised then with a different instrumental performance
(Tr. 15).
Other versions included are for classic guitar and strings (Tr.
25) and last but not least a version with a faster pop version
for choir and orchestra (Tr. 31).
The dramatic side of the story is background with dissonant
and violent orchestral themes: atonal strings and voices with
a citation for flute of the main theme (Tr. 2); a theme introduced
by low-key strings and built to a powerful crescendo for full
orchestra and choir (Tr. 5); a symphonic theme dominated by
brass and percussions (Tr. 8), a dark and heavy tremolo of dissonant
strings (tr. 23).
Bruno Nicolai had also provided some unforgettable, extremely
epic and adventurous music passages that recall the Sergio Leone
atmospheres, like the Deguello-like theme (Tr. 16), another
theme with a big orchestral climax and with choir (Tr. 19).
Oboe and orchestra introduce an epic/mystical passage for strings
and percussions (Tr. 27).
Among the themes released for the first time on record we also
included a Gospel for the Church scene performed by the unsurpassable
voices of Cantori Moderni (Tr. 24).
This Cd is another proof of the musical greatness of Bruno Nicolai. |
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| story |
A skillful thief with a penchant for knives
attempts to outwit a slew of bloodthirsty treasure hunters
in this brutal Italian Western from director Sergio Sollima.
The gold they seek may be enough to finance the Mexican Revolution,
depending on who gets to it first and what they intend to
do with it.
Whether it's the thief Cuchillo (Tomas Milian), his passionate
fiancée, the sheriff-turned-bounty-hunter, the ruthless
bandits, or the fearsome American agents who end up with the
gold, two things are certain, the stakes are high and the
competition is literally cutthroat.
Run, Man, Run! also features music by Bruno Nicolai and the
legendary film composer Ennio Morricone.
Cast:
Tomas Milian, Donald O'Brien, John Ireland, Linda Veras, Marco
Guglielmi, José Torres, Luciano Rossi, Nello Pazzafini,
Gianni Rizzo
Director:
Sergio Sollima |
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