back to home
onlyscore rss feed
sitemap
 
 
search
 
quick links
 
our cards
onlyscore fidelity card
onlyscore gift card
 
short info
 
hover over me
 
 
 
finalmente le mille e una notte, carlo savina, verita note
37.50

 
finalmente... le mille e una notte
(1972)


composer: carlo savina

label: verita note

AKA: 1001 Nights of Pleasure, Bed of a Thousand Pleasures, House of 1,000 Pleasures, Les mille et une nuits érotiques

total duration: 00.44.34

soundtrack style: comedy erotic



   


tracks
01. Finalmente... le mille e una notte (Seq. 01 - Titoli)
02. Finalmente... le mille e una notte (Seq. 02)
03. Finalmente... le mille e una notte (Seq. 03)
04. Finalmente... le mille e una notte (Seq. 04)
05. Finalmente... le mille e una notte (Seq. 05)
06. Finalmente... le mille e una notte (Seq. 06)
07. Finalmente... le mille e una notte (Seq. 07)
08. Finalmente... le mille e una notte (Seq. 08)
09. Finalmente... le mille e una notte (Seq. 09)
10. Finalmente... le mille e una notte (Seq. 10)
11. Finalmente... le mille e una notte (Seq. 11)
12. Finalmente... le mille e una notte (Seq. 12)
13. Finalmente... le mille e una notte (Seq. 13)
14. Finalmente... le mille e una notte (Seq. 14)
15. Finalmente... le mille e una notte (Seq. 15)
16. Finalmente... le mille e una notte (Seq. 16 - Finale)
 
 
further information

Japanese import

 
description

The world premiere release of original soundtrack from the "B" Italian sexy comedy film Finalmente Le Mille E Una Notte composed by Carlo Savina.
Exotic and oriented orchestrations.

 
story
This is an Italian decamerotici, basically a portmanteau-style movie of sexy, period-based tales inspired by Pier Passolini's Decameron and other Trilogy Of Life Movies.
While some of these decamerotic were loosely based on Boccacio's famous literary work The Decameron (via the Pasolin film), this is very, very loosely based on 1001 Arabian Nights.
It is set in Arabia and the characters are all costumed accordingly, but sex-minded stories, the obsession with female sexual satisfaction and cuckoldry, and gay-panic humor in the second story are all VERY 20th-century Italian .

The frame story involves a powerful sultan who is unable to, um, rise to the occasion with a new harem girl (Femi Benussi) even after she does a very sexy dance of the seven veils for him.
He brings in three storytellers to, uh, inspire him with sexy tales.
The first story is about another powerful sultan who become jealous of the town stud and wants to test his prowess by putting him in a dark room and seeing if he can identify each of several town girls who he sends in to have sex with him.
But it all goes horribly awry.
The second story is a variation on Aladin and the genie, but Aladin here is a horny sod who really only wants to have sex with the wife of a rich merchant (Barabara Bouchet, who could blame him?).
The magic flying carpet the genie gives him will not go down until the couple on it have had sex three times.
But what happens when the wrong people end up on it?
The third story is about a cruel princess who executes any man who can't satisfy her thirteen times in one night.

This was directed by Anthony Dawson (aka Anthony Marghereti).
He is not in the class of Pasolini perhaps, but he was probably one of the more talented directors to have done films in this genre.
Although neither was Italian, Barbara Bouchet and Femi Benussi were both ubiquitous (and ubiquitously naked) in 70's Italian exploitation fare like this.
Barbara Marzano, who some may recognize as the big-breasted girl dancing topless at the hippie party in Torso, plays a local girl in the first story who the Sultan tries to Dehydrate so the guy in the room doesn't recognize her bounteous bosoms (it doesn't work).
She was also memorable in Ferdinand DiLeo's The Seduction.

Cast:
Femi Benussi, Barbara Bouchet, Pupo De Luca, Ignazio Leone, Gastone Pescucci, Gigi Ballista, Esmeralda Barros, Carla Mancini, Gino Milli, Barbara Betti, Vassili Karis, Barbara Marzano, Elisabeth Felchner, Salvatore Puntillo

Director:
Antonio Margheriti

 

top