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| €
15.50 |
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- la Maschera del demonio
- la Ragazza che sapeva troppo
(1960 / 1963) |
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| tracks |
LA MASCHERA DEL DEMONIO
01. La Leggenda Di Asa (Prologo)
02. La Maschera Del Demonio (Titoli)
03. Macabra Sepoltura E Apparizone Di Katia
04. La Cripta Di Notte
05. Resurrezione Di Asa
06. Resurrezione Di Javutich
07. La Carrozza Nera
08. Angoscia E Passione
09. Kruvajan, Morto Vivente
10. Passaggio Segreto
11. Apparizione Di Javutich
12. Katia Terrorizzata
13. Katia Prigioniera Di Javutich
LA RAGAZZA CHE SAPEVA TROPPO
14. Morte Di Edith E Aggressione Notturna
15. Omicidio A Trinita Dei Monti
16. Risveglio In Ospedale
17. Questa E' Roma! E Ricordo Dell'Omicidio
18. Al Ristorante E Sospetto Di Nora
19. Preparando La Trappola E Un'Ombra Nel Buio
20. Le Bellezze Di Roma
21. Mistero Notturno
22. Un Caldo Bacio Dopo L'Incubo
23. Un Ospite Inatteso E I Delitti Dell'Alfabeto
24. Terribile Scoperta E Angoscia Di Nora
25. Faccia Faccia Con L'Assassina
26. E Se Fosse Tutto Un Sogno (Finale) |
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| further information |
12 page colour booklet containing intro by Tim
Lucas, movie synopsis, original poster art and some fantastic
colour stills from Black Sunday
Limited edition |
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| description |
This project is possible thanks to the generous
assistance of the CAM Archives, and Volume One is dedicated
to the scores written by composer Roberto Nicolosi for Bava's
La maschera del demonio (Black Sunday) and La ragazza che sapeva
troppo (Evil Eye).
Until now, not a single note of these scores has been available
on record, although Black Sunday's alternate score by Les Baxter,
commissioned for the American market, appeared on USA CD from
Bay Cities.
For this premiere CD release, we were free to use everything
that survived on the master tapes in the CAM vaults.
M° Nicolosi has written orchestral music with dramatically
explosive, recurrent passages and very dark atmospheres supplied
by strings, brass and organ.
For La ragazza che sapeva troppo, he used a similar approach,
writing dissonant contemporary music that works perfectly for
describing all the tension and the paranoia felt by the young
American tourist (Letícia Román) lost in the eternal
mysteries of Rome.
M° Nicolosi punctuates this gloomy atmosphere with some
lounge style jazz music. |
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| story |
la Maschera del demonio
Generally considered to be the foremost example of Italian
Gothic horror, this darkly atmospheric black-and-white chiller
put director Mario Bava on the international map and made
the bewitching Barbara Steele a star.
Steele plays Princess Asa, a high priestess of Satan who is
gruesomely executed in 1600s Moldavia by having a spiked mask
hammered into her face.
Before she dies, Asa vows revenge on the family who killed
her and returns from the grave two centuries later to keep
her promise.
In a striking resurrection scene replete with bats, scorpions
and fog, Asa rises from the tomb to claim her bloody vengeance.
With vampires, bubbling flesh, dank crypts, undead servants
and torch-bearing mobs, the plot is a little ripe, but the
visuals are Bava's primary consideration.
The atmosphere is so heavy and the imagery so dense that the
film becomes nearly too rich in texture, but the sheer, ghastly
beauty of it all is entrancing.
Although this was only the second of Bava's twenty-six films
as director, it is undoubtedly his best and the one upon which
most of his considerable reputation rests.
Cast:
Andrea Checchi, Arturo Dominici, Ivo Garrani, Barbara Steele,
John Richardson, Clara Bindi, Enrico Olivieri, Mario Passante
Director:
Mario Bava
la Ragazza che sapeva troppo
Generally considered the first real giallo film, Mario Bava's
stylish thriller stars Leticia Roman as Nora, who travels
to Rome to visit her sick aunt.
The aunt dies that night, and Nora ends up witnessing a murder.
The police and kindly Dr. Bassi (John Saxon) don't believe
her, since there is no body, so she goes to stay with her
aunt's friends, the Cravens.
Along the way, there are several more murders tied to a decade-long
string of killings of victims chosen in alphabetical order
by surname.
The surprising ending is worth staying around for, as is an
amusing supporting performance by Valentina Cortese.
Bava would go on to further codify many of the giallo genre's
conventions in Sei Donne per l'Assassino the following year.
Cast:
Valentina Cortese, Gianni di Benedetto, Leticia Roman, John
Saxon, Dante Di Paolo
Director:
Mario Bava |
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