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| €
16.50 |
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Milano odia: la polizia
non puo' sparare
(1974) |
|
| tracks |
01. Rapimento
02. Raptus Omicida
03. I Conti Ora Tornano
04. Milano Odia:La Polizia Non Può Sparare (Titoli-
Versione Film)
05. Raptus Omicida # 2
06. Raptus Omicida # 3
07. Rapimento # 2
08. Milano Odia:La Polizia Non Può Sparare # 2
09. Rapimento # 3
10. Raptus Omicida # 4
11. Milano Odia:La Polizia Non Può Sparare (Titoli-
Versione Lunga) # 3
12. Raptus Omicida # 5 |
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| further information |
| 8 page colour booklet containing introduction,
synopsis, cast list, colour movie stills and poster art |
| |
| description |
Milano odia: la polizia non può sparare
is one of the milestones of the Italian Police movies.
Shot by expert Umberto Lenzi in 1974, the movie slightly goes
away from the genre, since the hard cop character typical for
so many movies in those years, is not involved this time, while
a dangerous criminal, performed by Tomas Milian, is the protagonist.
Lenzi tells us the criminal actions of Giulio Sacchi, a merciless
bandit.
Through bloody robberies, cruel and cold-blooded killings and
kidnappings he manages to confuse the investigations by the
commissioner (played by Henry Silva) and to elude the arrest.
The mad and sly mind of the character played by Milian is described
with vivid realism.
A good example is the scene where the criminal, after getting
hold of the ransom money, kills both kidnapped woman (Laura
Belli) and his two crimes companions.
In Milano odia: la polizia non può sparare Tomas Milian
gives again the proof of his fine acting talent.
In the splendid final scene full of pathos, Sacchi jeers at
the commissioner, who has to deal out justice alone.
When Sacchi finally realizes he has no escape, his final words
the police are not capable of shooting reflects faithfully the
squalid reality of the Italian years of lead, when the police
were judged negatively both by superior bodies and by the public
for their deficient actions.
Digitmovies presents the fifth volume of the series dedicated
to the original soundtracks for the Italian Police movies genre:
Milano odia: la polizia non può sparare with the music
composed by Ennio Morricone and conducted by Bruno Nicolai.
In 1975 only one track was issued on the compilation I film
della violenza and in 1995 the same track was re-issued on the
Cd Action Thrillers.
In 1994 Rca released a Cd containing the two Ost from Il giustiziere
and from Milano odia: la polizia non può sparare.
The tracks Rapimento, Raptus omicida and I conti ora tornano
included on the 1994 Cd were really prepared in 1974 for the
A & B sides of an album in the RCA SP series that those
days was mysteriously cancelled.
The same material from the 1994 Cd opens our Cd, but we have
also added interesting inedit material (Tr. 5, Tr. 6, Tr. 7,
Tr. 8, Tr. 9, Tr. 10, Tr. 12) discovered recently on the stereophonic
master tapes of the 1974 recording session.
Morricone has created a symphonic score that alternates between
dramatic, percussive moments and other romantic ones.
The music is at the same time nostalgic and mysterious given
by the frequent use of the sax.
These tracks were edited by the composer in two long suites
(Tr. 1, Tr. 2) where the semi-pop rhythmic main theme dominates
(Tr. 4) strongly in contrast with the pastorale and sad I conti
ora tornano (Tr. 3), another fine example of the strong and
recognizable style of the composer.
Our Cd encloses also a long (unused) version of the Main Titles
M 1 (Tr. 11) |
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| story |
This melodramatic crime film concerns a petty
thief named Julio (Tomas Milian) who kidnaps pretty Mary Lou
(Laura Belli), the daughter of his girlfriend's rich employer,
and holds her for ransom.
Much of the film features Julio's hysterical populist rants
targeting the wealthy elite, whom he both envies and detests.
When the bound Mary Lou mocks him, Julio's anger leads to
a bloody gunfight in which nearly everyone dies.
Eventually, Police Inspector Walter Grandi (Henry Silva) turns
vigilante and guns down the human trash on a pile of garbage.
Reminiscent of everything from the Dirty Harry series to the
Patty Hearst kidnapping, Lenzi's preposterous film is most
memorable for its overly ripe dialogue and an outlandish party
scene in which Milian forces a balding, craven businessman
to service him at gunpoint.
Cast:
Laura Belli, Raymond Lovelock, Tomas Milian, Henry Silva,
Anita Strindberg, Guido Alberti
Director:
Umberto Lenzi |
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