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La
morte ha fatto l'Uovo
(1968) |
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composer: bruno maderna
label: fin
de siecle media
AKA: Plucked, la Mort A Pondu Un Oeuf, Death Laid An
Egg, a Curious Way To Love
total duration: 00.52.52
soundtrack style: thriller
crime
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| tracks |
01. Guaiaba
02. Reflection In The Night
03. Moment
04. Sigma Alpha
05. Down Down Down
06. Musical Line
07. Testament Of Revolt
08. Conversation
09. Sex Revolution On Campus
10. Speaking Of Silence
11. Comedy In Music
12. Catching
13. Guaiaba
14. La Morte Ha Fatto L’Uovo (bonus track # 01)
15. La Morte Ha Fatto L’Uovo (bonus track # 02)
16. La Morte Ha Fatto L’Uovo (bonus track # 03)
17. La Morte Ha Fatto L’Uovo (bonus track # 04)
18. La Morte Ha Fatto L’Uovo (bonus track # 05)
19. La Morte Ha Fatto L’Uovo (bonus track # 06)
20. La Morte Ha Fatto L’Uovo (bonus track # 07)
21. La Morte Ha Fatto L’Uovo (bonus track # 08)
22. La Morte Ha Fatto L’Uovo (bonus track # 09)
23. La Morte Ha Fatto L’Uovo (bonus track # 10)
tracks 1 - 13 stereo
tracks 14 - 23 mono |
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| further information |
| Presented in a 6-page digipak with original artwork, film
still and liner notes by John Bender |
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| description |
Previously released on LP by Cinevox in 1968,
premiere release of this challenging avant-garde soundtrack
by Bruno Maderna who only scored a handful of films in the 50s
and 60s.
However, this one has the ability to haunt you forever.
Quirky stuff indeed, a perfect companion to the equally weird
film by Giulio Questi, Maderna's contribution to the film
cannot be overestimated.
The disc itself offers the original LP in full stereo as
well as 10 previously unheard bonus tracks in mono, all in
all 54 minutes of very uneasy listening carefully restored
by Claudio Fuiano.
Overall the music on this disc can be eerily, and vividly,
epitomized by a line of dialog from the film:
Take them by surprise with an approach that's absolutely
new, that's newer than tomorrow, preposterously new!
Bruno Maderna's score perfectly captures the films paranoia
atmosphere with its dissonant tones and bizarre arrangements
(Michael Den Boer, 10,000 Bullets)
... A crazed musical score from Bruno Maderna, this composer's
mix of woozy strings and discordant jazz guitar is guaranteed
to make you edgy and nervous
(Don Guarisco, DVD Maniacs)
... Bruno Maderna's bizarre score, which somehow manages
to be incredibly annoying and completely appropriate at the
same time
(Michael Mackenzie, DVD Times)
The avant-garde Bruno Maderna score is violent and nerve-wracking
(Chris Fujiwara/A. S. Hamrah, Hermenaut)
Bruno Maderna's score is akin to the sound of chalk screeching
across a blackboard
(Robert Monell, I'm In a Jess Franco State of Mind) |
| |
| story |
This is a deliriously strange thriller about
a scientist (Jean-Louis Trintignant) who is breeding headless,
boneless chickens at a high-tech farm.
He's having an affair with Ewa Aulin, who is plotting with him
to kill his wife (Gina Lollobrigida) ... and she's plotting
with Aulin to kill him ... and he and Lollobrigida are plotting
... oh, it's too confusing, but extremely memorable.
The bizarre, only semi-linear editing and trippy cinematographic
techniques are artifacts of the psychedelic era and combine
with the twisted story to make any Euro-cultist's dreams come
true.
A film that defies easy categorization, it veers uneasily between
giallo, drug film, and science-fiction, with heavy doses of
romance and Antonioni-like weirdness.
Some parts are even reminiscent of David Lynch's Eraserhead.
Aulin was in the even stranger Microscopic Liquid Subway to
Oblivion a few years later.
A must-see for genre fans.
Cast:
Vittorio Andrè, Ewa Aulin, Giulio Donnini, Gina Lollobrigida,
Monica Millesi, Jean Sobieski, Jean-louis Trintignant
Director:
Giulio Questi |
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