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non
si deve profanare il sonno dei morti viventi
horror express
(1974 / 1972) |
|
composer: giuliano sorgini / john cacavas
label: quartet
records
AKA: The Living Dead At Manchester Morgue, Sleeping
Corpses Lie, Let The Sleeping Corpses Lie, Don't Open
The Window, Breakfast At The Manchester Morgue, No Profanar
El Sueño De Los Muertos, Zombi 3 (Da Dove Vieni?)
/ Panic In The Trans-Siberian Train, Pánico En
El Transiberiano
total duration: 00.49.53
soundtrack style: horror
sci-Fi /
horror
mystery
thriller
sci-Fi
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| tracks |
NON SI DEVE PROFANARE IL SONNO DEI MORTI
VIVENTI (THE LIVING DEAD AT MANCHESTER MORGUE)
01. John Dalton Street
02. Surreal
03. Trance
04. Strait Jacket
05. The Raisen Dead
06. Agression
07. The Death of the Dead
08. The Torment of the Dead
09. Mysterious Country
10. Southgate Hospital
11. The Living Dead
12. Drawned Guthrie
13. George
14. Manchester M2 GLD
15. Edna
HORROR EXPRESS
16. Main Title
17. Icy Search
18. Ballet – Russian
19. The Journey Begins
20. Pujaro’s Theme
21. Deadly Pursuit
22. Train
23. Fugue
24. End Title |
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| further information |
24 pages booklet with an analysis of both
scores by expert Ángel García Romero
Limited edition of 500 copies |
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| description |
Spanish Horror Has Risen from the Grave!
After Who Can Kill A Child?, The House That Screamed and
Howling of the Devil, another two of the most essential European
Horror titles combined in one newly remastered CD.
The Living Dead At the Manchester Morgue (1974), directed
by Jordi Grau (Historia de una chica sola, Il Peccato) features
a suprising and unusual film score by Italian composer Giuliano
Sorgini.
The latter is filled with choral pieces, afterlife sounds
and a counteless number of urban beat rythms.
Horror Express (1972) was the first film score ever written
by composer John Cacavas (Kojaj, Airport 1975, Airport 1977).
It features a sticky melody of clear Russian roots and is
further rich in rythms and atmospheres.
Unfortunately, the tapes of the original recordings found
in Mercury Films vaults were damaged beyond repair.
So, we’ve had to use the re-recording Cacavas himself
conducted a couple of years later.
Luckily all key material written for the film has been preserved
this way and in a performance very much alike the original
one. |
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| story |
Non si deve profanare il
sonno dei morti viventi
When state officials test out a new experimental pest-control
device that uses subsonic waves to kill insects, it produces
an unwelcome but interesting side-effect:
The noise is enough to wake the dead - literally - and the corpses
of the recently deceased begin to rise from their dirt-naps
with ravenous appetites for warm human flesh.
Since the predicted zombie jubilee starts off with more than
a whimper than a bang (actually it's more of a wheeze, since
these are particularly asthmatic undead), viewers are left with
a rather mundane police drama as clueless detectives try to
pin the mutilation murders on a group of free-wheeling hippies.
Despite high production values and some audacious gore effects
by Giannetto De Rossi (who would later lend his splattery talents
to Lucio Fulci's Zombie and many more Italian zombie films),
this Spanish/Italian co-production falters in the middle thanks
to sluggish pacing and dull investigation scenes, which are
devoid of suspense since the zombies' existence is already made
known.
Also released under the quaint title Breakfast at the Manchester
Morgue, among others.
Director:
Jorge Grau
Horror Express
This horror science-fiction thriller, a cult favorite, takes
place in 1907.
Professor Caxton (Christopher Lee), a fossil-hunter has discovered
some sort of pre-human creature frozen in ancient Manchurian
ice.
He is traveling to London with his find on the Trans-Siberian
Railway and is horrified to discover that his frozen man is
missing, and corpses and zombies are appearing all over the
train.
It turns out that the frozen specimen is an alien with some
unusual powers.
The combined forces of Professor Caxton, his rival Dr.Wells
(Peter Cushing), and a Cossack captain (Telly Savalas) are
needed to save the world from this monstrous being.
Skillfully told, with a good dose of humor, this film also
features the train which appeared a year before in Nicholas
and Alexandra.
Director:
Eugenio Martín |
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