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| €
21.00 |
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| tracks |
01. Cop's Blood
02. Fuga Nei Sotterranei
03. Knell
04. Palance
05. Tema Di Susie
06. Sbirro In Fuga
07. Luxury
08. Philadelphia
09. Cop's Blood (Carillon)
10. Tema Di Susie (Whistle version)
11. Club Jazz
12. Suspance And Flashback
13. Manhattan Disco
14. Duke Soul Jazz
15. Amusement
16. Skyscrapers
17. Sbirro In Fuga (Reprise)
18. Cop's Blood (End title) |
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| further information |
Numbered limited edition of 500 copies
Deluxe 12 pages color booklet and outer carton slipcase |
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| description |
The music for Sangue Di Sbirro (directed by Alfonso Brescia,
starring Jack Palance, George Eastman and Jenny Tamburi) was
recorded on November 15th 1976 at the Orthophonic Recording
Studio in Rome under the supervision of the supporting sound-engineer
Sergio Marcotulli and for more than thirty years it remained
unheard, but thanks to the perfect state of conservation of
the reels containing the original sessions, it is now possible
to pay homage to one of the most prolific composers of the Italian
cinema.
The credits, as requested by the director, call back to mind
the known Theme from Shaft, written by Isaac Hayes (who won
the Oscar prize in 1972), giving voice to a kind of cover version,
totally instrumental reread in a personal way.
Sangue Di Sbirro, rich of dramatic situations suggested by action,
is framed around themes motivated by the bass and drums grooves,
emphasized by an excellent wind section, on which solo instruments
alternate each other in a free improvisation.
Alessandroni directs a jazz-funk combo enumerating some of the
biggest exponents of Italian jazz;
in the insistent 6/8 of Sbirro in fuga it is possible to distinguish
the illustrious Dino Piana at the trombone and Enrico Pieranunzi
at the piano.
A homage to the sensuality put into music is the track Luxury
where is the voice of Giulia De Mutiis that inspires the atmosphere
Imbued with eroticism of a probable American night club in the
70's.
The famous whistle of Maestro Alessandroni in Tema di Susie
is capable of recreating an absorbing sweet and intimate melody
for a rendezvous or a farewell between lovers, but it can also
slip in the rhythmic Philadelphia as an instrument.
The soundtrack is definitely at a fast tempo; besides we are
in the funky golden age. |
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| story |
Dan Caputo is the main character of this
movie film enumerated among the Italian detective films, though
it does not have all of its typical features, and it is one
of the very rare examples of this genre which is not set in
one of our violent cities, but in Philadelphia, where our
ex police sergeant lands in order to avenge his father's death,
Joe Caputo, a harsh police officer killed, as claimed by the
public opinion, after a settling of scores with Mallory, a
boss of mafia.
While Mallory is sending in vain a bunch of men in order to
kill Dan at his arriving at the airport, in a suggestive scene
at the opening of the film which impresses also for the choice
of the hockey masks worn by the terrorists, Lieutenant Sharp
and Captain Jeffrey instruct him not to stay on the scene
of the crime and not to use any weapons.
Also Susan, the woman who has been waiting for him for a long
time, asks him not to put his life at risk, but everything
is ineffective because Dan kills 30 people throughout the
film with the help of gangster Duke, spots Captain Jeffrey
as the murderer and Boss Mallory as the person behind the
assassinations, sending all the evidences to Lieutenant Sharp.
The one who takes advantage of this story will exactly be
ambiguous Duke, which will become the new unchallengeable
boss.
Cast:
George Eastman, Jack Palance, Jenny Tamburi, Roberto Giraudo,
Ugo Bologna, Jut Grams, Renato Montalbano, Nicole Barthelmy,
Giorgio Sciolette
Director:
Alfonso Brescia |
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