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Uccidete
il vitello grasso e arrostitelo
(1970) |
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| tracks |
01. Lungo La Stradina
02. Ai Confini Della Follia
03. Uccidete Il Vitello Grasso (Titoli)
04. Ricordo Tanti Fiori
05. Ai Confini Della Follia # 2 *
06. La Fredda Lama Del Coltello
07. Echi Del '700
08. Scivolando Nel Buio
09. Lungo La Stradina # 2 *
10. Ricordo Tanti Fiori # 2 *
* Previously unreleased |
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| further information |
| 8 page colour booklet containing introduction
colour movie stills and a reproduction of an original poster |
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| description |
Digitmovies proudly presents the fifth volume
dedicated to Italian Giallo movies scored by 2007 Oscar winner
Ennio Morricone:
Uccidete il vitello grasso e arrostitelo directed by Salvatore
Samperi and starring Jean Sorel, Marilù Tolo and Maurizio
Degli Esposti.
This CD project was made possible once again thanks to the help
of our friends at C.A.M. where the original stereo session tapes
have been preserved until today.
Shortly before his very first US concert in Radio City Music
Hall in New York, Maestro Ennio Morricone personally wanted
to collaborate with us on the realization of this album modifying
the previously issued material available on the 1984 US Long
Play album (Cerberus) and on its 1991 CD reissue (CAM).
Considered to be uncongenial, the track Shake introspettivo
has been eliminated by the author from an artistic point of
view.
So accordingly this CD was compiled respecting M° Morricone's
conception so as to present something new compared with the
previous record releases.
This particular soundtrack perfectly reflects the plot of the
movie situated in a macabre and mysterious Sicily, a giallo-noir
full of cruel twists.
Ennio Morricone composed a score with a pastoral mood, enriched
with canons of the Renaissance but with a stunning modern beat
arrangement typical for the late 60's:
after a short introduction for flute the joyful theme is developed
through trumpet, harpsichord, bass guitar and rhythm (Tr. 1),
reprised later with a more up-tempo version (Tr. 9).
Morricone wrote a romantic and melancholic theme introduced
first in Tr. 2, and reprised as a beat ballad with bass flute
(Tr. 4) and with high pitched flute (Tr. 10).
Scenes with the young protagonist are emphasized by aggressive
and morbid shakes like Titoli (Tr. 3) or the one arranged for
trumpet and repeatedly interrupted by dissonant chords (Tr.
6) and last but not least the one for organ and female voice,
between sacred and profane (Tr. 8).
The obscure side of the story is emphasized by a long contemporary
piece (Tr. 5). |
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| story |
The first color film by writer/director Salvatore
Samperi is this grim family melodrama, a modern-day reinvention
of the tale of the Prodigal Son.
Upon hearing of his father's death, Enrico Merlo (Jean Sorel)
leaves his boarding school in Switzerland and returns home
to Padua.
There he overhears a conversation between his older brother
Cesare (Maurizio Degli Espositi), who has taken over the profitable
family business, and Verde (Marilù Tolo), Cesare's
cousin and lover.
Their words persuade Enrico that the two have murdered his
father; he obtains proof when he discovers that his father's
death certificate post-dates his death.
But Enrico becomes gravely ill with pneumonia, all the while
refusing to return the incriminating death certificate to
the killers, and so Verde makes sure he is denied his needed
medication and lets him die.
Cast:
Jean Sorel, Marilù Tolo, Maurizio Degli Esposti, Gigi
Ballista, Noris Fiorina, Pier Paolo Capponi, Aleka Paizi,
Bernadette Kell, Gianni Pulone, Franca Sciutto
Director:
Salvatore Samperi |
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