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una
Vergine tra i morti viventi
(1973) |
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| tracks |
01. Una Vergine Tra I Morti Viventi Sequence
01
02. Una Vergine Tra I Morti Viventi Sequence 02
03. Una Vergine Tra I Morti Viventi Sequence 03
04. Una Vergine Tra I Morti Viventi Sequence 04
05. Una Vergine Tra I Morti Viventi Sequence 05
06. Una Vergine Tra I Morti Viventi Sequence 06
07. Una Vergine Tra I Morti Viventi Sequence 07
08. Una Vergine Tra I Morti Viventi Sequence 08
09. Una Vergine Tra I Morti Viventi Sequence 09
10. Una Vergine Tra I Morti Viventi Sequence 10
11. Una Vergine Tra I Morti Viventi Sequence 11
12. Una Vergine Tra I Morti Viventi Sequence 12
13. Una Vergine Tra I Morti Viventi Sequence 13
14. Una Vergine Tra I Morti Viventi Sequence 14
15. Una Vergine Tra I Morti Viventi Sequence 15
16. Una Vergine Tra I Morti Viventi Sequence 16
17. Una Vergine Tra I Morti Viventi Sequence 17
18. Una Vergine Tra I Morti Viventi Sequence 18
19. Una Vergine Tra I Morti Viventi Sequence 19
20. Una Vergine Tra I Morti Viventi Sequence 20
21. Una Vergine Tra I Morti Viventi Sequence 21
22. Una Vergine Tra I Morti Viventi Sequence 22
23. Una Vergine Tra I Morti Viventi Sequence 23 |
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| further information |
| 8 page colour booklet containing introduction,
synopsis, cast list, colour movie stills and a reproduction
of poster and VHS cover art |
| |
| description |
Digitmovies is proud to release for the first
absolute time on disc the original score composed and conducted
by Bruno Nicolai for the film directed by Jess Franco Una vergine
tra i morti viventi.
Jess Franco has realized a film rich of all those elements that
characterize its long Filmography like erotism, esoterism, perversion,
mystery and the music of Bruno Nicolai reflects perfectly that
alarming atmosphere in continuous equilibrium between the good
and the evil, the light and the darkness, love and death.
This third volume dedicated to the music of M° Nicolai for
the Cinema of Jess Franco, after Eugenie De Sade' 70 and 99
women, is possible thanks to the master tapes survived (in mono
mix) recently discovered in the Edipan vaults.
In the opening credits Bruno Nicolai is credited also as creator
of sound special effects, in fact the score is characterized
by electronic sinket according to the canons of the Italian
Contemporary Music of which the composer it is one of the most
important representatives.
The film and the Cd open with a suspenseful and mysterious theme
given by an introduction of harp with echo, celesta, in order
to develop itself in a chaotic, much modern and rhythmic motif,
with sacred flavour given by a liturgical organ (Tr. 1) reprised
in Tr. 3 and Tr. 13.
This score features several atonal music themes for strings
with additional distorted electric guitar like in Tr. 2, Tr.
6, Tr. 8, Tr. 9.
Bruno Nicolai has written a wonderful love theme for the main
character of Christine, a sweet and melancholic theme performed
by the crystal voice of Edda Dell'Orso (Tr. 11, Tr. 12,
Tr. 23).
Lounge style music does not lack like the elegant orchestral
bossa vocalized by Edda Dell'Orso (Tr. 7), pieces for
solo piano (Tr. 5, Tr. 14, Tr. 19) and the rock-dance floor
music, between sacred and profane, for the scene of the satanic
ritual (Tr. 21). |
| |
| story |
Pretty Christina (Christina von Blanc) encounters
ghostly apparitions when she travels to a mansion in Honduras
for the reading of her father's will.
Thinking that she is going mad, Christina investigates further
and discovers some horrible family secrets which could consume
her.
This witty erotic horror effort from cult director Jesus Franco
is a perfect example of the re-editing and butchering of European
films, which became common practice in the 1970s.
At least 10 different versions exist, some with completely
different plots than others.
A 1974 re-release contained softcore sexual inserts featuring
Marie-France Broquet, Waldemar Wohlfaart, and other performers
not present in the original version.
In the 1980s, French director Jean Rollin was hired by the
Eurocine studio (by far the most common offender in the area
of cut-and-paste filmmaking) to shoot additional scenes.
Rollin's footage consists of approximately 15 minutes of gory,
uninspired zombie attacks, meant to capitalize on a then-popular
subgenre initiated by Lucio Fulci's Zombi 2.
Yet another version contained scenes from a Rollin-directed
vampire film and was advertised with a picture of Vincent
Price, who does not appear in any known version of this film.
Further complicating matters is the fact that most of these
alternate versions exist in varying lengths, reducing a rather
interesting film to an incomprehensible mess.
Britt Nichols, Paul Muller, Howard Vernon, and Anne Libert
co-star, and Franco appears in a cameo role excised from some
prints.
Cast:
Paul Muller, Brit Nichols, Howard Vernon, Christina von Blanc,
Jesus Franco, Rose Kiekens, Anne Libert, Nadine Pascale
Director:
Jesus Franco |
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