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| €
22.00 |
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| tracks |
01. Main Title
02. Sick Dog
03. Death of a Dog
04. Walking Dog
05. Dog's Escape
06. Saving Cops
07. Chasing Rabbit
08. Dog Pound / The Girl's Thoughts
09. Sweeper Attack
10. Dog's Return
11. Stewardess Surprise
12. Untitled (3M3)
13. Certainties and Uncertainties of the Dog
14. Cure or Kill / Dog's Escape
15. Protected Attack
16. Sorrowful Julie
17. Cage Escape
18. Attack # 2
19. After the Murder
20. White Dog
21. White Dog
22. Absent-Mindedly from a Radio Far Away
23. The Girl and Her Problems
24. Cured Canine?
25. Attempts at Fidelity
26. Death of a Dog / End Credits
Bonus Tracks:
27. Second Theme: The Girl and the Dog (Album track)
28. Guitar Venizia (Source music)
29. After the Murder (Alternate)
30. Absent-Mindedly from a Radio Far Away (Source music)
31. Lamb Bone Muzak (Source music)
32. Inside the Church
33. Death of a Dog, part 1
34. Death of a Dog (Album track) |
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| further information |
Silver Age Classics series
Limited edition of 3000 copies |
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| description |
White Dog is an exceptional Samuel Fuller
drama about a provocative concept:
The title refers not to a dog with white fur but to one that
has been brutally trained to attack African-Americans.
The film stars Kristy McNichol as a struggling Hollywood actress
who adopts such an animal unaware of its true nature then
takes it to trainers played by Burl Ives and Paul Winfield
in an attempt to undo its conditioning.
White Dog was an unfortunate case where, prior to release,
controversy over the film's subject matter led to fears that
it carried a racist message which could not be further from
the truth.
The film is, in fact, a mature drama virtually bereft of racist
characters;
the only racist behavior depicted is that of the dog, and
the animal is, if anything, a victim itself of the scourge.
Nonetheless, the film was shelved and virtually unseen in
America until a recent DVD release.
Adding immeasurably to White Dog is the meditative and melodic
score by Ennio Morricone a beautiful example of the Maestro's
restraint, musical sophistication and impeccable taste.
Haunting, classically styled themes are used to create waves
of moods and sensations, from pensive unease to operatic violence
to elegiac beauty, as the characters struggle to understand
and deprogram the dangerous yet tragic title animal.
All previous editions of the White Dog soundtrack were pirate
copies taken from an unreleased album master.
FSM's premiere CD features the complete score from the three-track
½ film mixes by recording engineer Dan Wallin in excellent
sound quality.
(The booklet features instructions on how to program the tracks
that comprised the album mock-up.)
Liner notes are by Jason Comerford.
Nearly three decades later, yet another of Ennio Morricone's
cinematic gems is given its due on CD.
FSM |
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| story |
A little-seen film, suppressed by Paramount
studio executives and never released theatrically in the U.S.,
this drama is a powerful saga about racism.
Julie Sawyer (Kristy McNichol) hits a handsome white dog with
her car one night and then nurses it back to health.
One day, the theretofore mild-mannered dog saves her life
by viciously attacking and killing a rapist who breaks into
her home.
Lucy discovers that the dog has been trained to attack black
skin. She consults an animal trainer, Carruthers (Burl Ives),
who urges her to have the dog exterminated.
But a maverick black trainer, Keys (Paul Winfield), who has
tried before to break the training of such dogs but never
succeeded, steps in.
Director Sam Fuller had made other controversial films, but
this one frightened studio executives, who deep-sixed it.
It was hailed by critics when it was released in Europe.
Cast:
Kristy McNichol, Christa Lang, Vernon Weddle, Jameson Parker,
Karl Lewis Miller, Karrie Emerson, Helen Siff
Director:
Samuel Fuller |
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