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white dog, ennio morricone, film score monthly
€ 22.00

 
white dog
(1982)


composer: ennio morricone

label: film score monthly

AKA: Cão Branco, Der weiße Hund von Beverly Hills, Die weiße Bestie, Dressé pour tuer, Le chien blanc, Perro blanco, Trained to Kill

total duration: 01.07.42

soundtrack style: drama horror thriller



   


tracks
01. Main Title
02. Sick Dog
03. Death of a Dog
04. Walking Dog
05. Dog's Escape
06. Saving Cops
07. Chasing Rabbit
08. Dog Pound / The Girl's Thoughts
09. Sweeper Attack
10. Dog's Return
11. Stewardess Surprise
12. Untitled (3M3)
13. Certainties and Uncertainties of the Dog
14. Cure or Kill / Dog's Escape
15. Protected Attack
16. Sorrowful Julie
17. Cage Escape
18. Attack # 2
19. After the Murder
20. White Dog
21. White Dog
22. Absent-Mindedly from a Radio Far Away
23. The Girl and Her Problems
24. Cured Canine?
25. Attempts at Fidelity
26. Death of a Dog / End Credits

Bonus Tracks:

27. Second Theme: The Girl and the Dog (Album track)
28. Guitar Venizia (Source music)
29. After the Murder (Alternate)
30. Absent-Mindedly from a Radio Far Away (Source music)
31. Lamb Bone Muzak (Source music)
32. Inside the Church
33. Death of a Dog, part 1
34. Death of a Dog (Album track)

 
 
further information

Silver Age Classics series
Limited edition of 3000 copies

 
description

White Dog is an exceptional Samuel Fuller drama about a provocative concept:
The title refers not to a dog with white fur but to one that has been brutally trained to attack African-Americans.
The film stars Kristy McNichol as a struggling Hollywood actress who adopts such an animal unaware of its true nature then takes it to trainers played by Burl Ives and Paul Winfield in an attempt to undo its conditioning.
White Dog was an unfortunate case where, prior to release, controversy over the film's subject matter led to fears that it carried a racist message which could not be further from the truth.
The film is, in fact, a mature drama virtually bereft of racist characters;
the only racist behavior depicted is that of the dog, and the animal is, if anything, a victim itself of the scourge.
Nonetheless, the film was shelved and virtually unseen in America until a recent DVD release.
Adding immeasurably to White Dog is the meditative and melodic score by Ennio Morricone a beautiful example of the Maestro's restraint, musical sophistication and impeccable taste.
Haunting, classically styled themes are used to create waves of moods and sensations, from pensive unease to operatic violence to elegiac beauty, as the characters struggle to understand and deprogram the dangerous yet tragic title animal.

All previous editions of the White Dog soundtrack were pirate copies taken from an unreleased album master.
FSM's premiere CD features the complete score from the three-track ½ film mixes by recording engineer Dan Wallin in excellent sound quality.
(The booklet features instructions on how to program the tracks that comprised the album mock-up.)
Liner notes are by Jason Comerford.
Nearly three decades later, yet another of Ennio Morricone's cinematic gems is given its due on CD.

FSM

 
story

A little-seen film, suppressed by Paramount studio executives and never released theatrically in the U.S., this drama is a powerful saga about racism.
Julie Sawyer (Kristy McNichol) hits a handsome white dog with her car one night and then nurses it back to health.
One day, the theretofore mild-mannered dog saves her life by viciously attacking and killing a rapist who breaks into her home.
Lucy discovers that the dog has been trained to attack black skin. She consults an animal trainer, Carruthers (Burl Ives), who urges her to have the dog exterminated.
But a maverick black trainer, Keys (Paul Winfield), who has tried before to break the training of such dogs but never succeeded, steps in.
Director Sam Fuller had made other controversial films, but this one frightened studio executives, who deep-sixed it.
It was hailed by critics when it was released in Europe.

Cast:
Kristy McNichol, Christa Lang, Vernon Weddle, Jameson Parker, Karl Lewis Miller, Karrie Emerson, Helen Siff

Director:
Samuel Fuller

 

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