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Dance and Mood Music
Vol. 4
(1969) |
| artist: Paul Pilot
Label: Vadim Chappell
format: Heavyweight Vinyl 180-gram,
Limited edition, Numbered by hand
reissue |
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| tracks |
01. Les Fous De Soleil
02. Amour, Vacances Et Baroque
03. Pop Fiesta
04. Le Ciel Est-Il A Vendre
05. Tant Qu’il Y Aura Des Filles
06. Trinidad, Espagne Et Autres
07. Rondo Tipico
08. Poivre, Piments Et Pin-Up
09. Reve Pour Un Beatle
10. James Bang Party
11. L’amour Et L’enfer
12. Rio De Janeiro
13. Ne Tirez Pas Sur Le Bassiste
14. Quand Revient L’Amour |
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| further information |
Reissue
From original master tapes
Heavyweight Vinyl 180-gram
Limited edition
Numbered by hand
Original artwork |
| |
| description |
Taken from the mythical Dance and Mood Music
series by English library music label Chappell, this record
from French composer Paul Piot is packed full with typically
sixties grooves, totally pop atmospheres, and wonderfully mod
sounds.
An incredible offering, that jumps out at you from the very
first listen.
Through its 14 instrumentals together, Piot deploys a lush and
classily sonorous prism:
where baroque pop, light bossa, nervous jerk, heady jazzbeat
and ethereal female backing vocals join to form a wonderfully
psychedelic and sunny saga, veritable deliciously kitsch and
zesty soundtrack to an imaginary film where the greatest sixties
fantasies brush shoulders.
The incredibly efficient orchestration leans ostentatiously
towards soul and rhythm'n'blues, unleashing an army of guitars,
bass, drums, Hammond organ, brass, flutes and other sitar to
achieve its ends.
Cult, exhilarating and tonic, the work has every air of a permanent
holiday, a sunny getaway in an open topped sports car.
It's surprising coherence for a library music piece commands
respect, whilst giving a real impression of an album bursting
with potential hits and sure-fire dancefloor smashes.
The greatest proof being the number of songs we find track-listed
on the compilations ruling the international rare groove scene
(Blow Up, Barry 7's Connectors).
Definitively one of the greatest references in Chappell's vast
catalogue. |
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