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| artist: Cecil Leuter aka roger roger
Label: Vadim Neuilly
format: Heavyweight Vinyl 180-gram,
Limited edition, Numbered by hand
reissue |
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| tracks |
01. Pop Electronique N° 1
02. Pop Electronique N° 2
03. Pop Electronique N° 3
04. Pop Electronique N° 4
05. Pop Electronique N° 5
06. Pop Electronique N° 6
07. Pop Electronique N° 7
08. Pop Electronique N° 8
09. Pop Electronique N° 9
10. Pop Electronique N° 10
11. Pop Electronique N° 11
12. Pop Electronique N° 12
13. Pop Electronique N° 13
14. Pop Electronique N° 14 |
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| further information |
Reissue
From original master tapes
Heavyweight Vinyl 180-gram
Limited edition
Numbered by hand
Original artwork |
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| description |
Radical and veritable manifesto, Pop Electronique
is an excessively cult record that the English enviously wish
they could claim as their own.
A piece of extreme and atypical instrumental madness with an
alien edge - brainchild of the fabulous Cecil Leuter.
Behind this enigmatic pseudo, borrowed from his grandmother,
actually lies Roger Roger, über-prolific French composer
of several hundred records for TV, theatre and radio and doted
with an immediately recognisable style that mixes classicism
with the avant-garde.
He quickly foresaw the revolutionary potential of new emerging
technologies through time spent at the ORTF.
His music would never be the same again.
As of the end of the 60s, he would throw himself into musical
experimentations, combining prehistoric beat boxes with the
intense use of synths, and began to niftily mix acoustic, electric
and electronic music.
Pop Electronique is the perfect, successful culmination of his
off the beaten track explorations.
A crazed record composed of a super groovy A side, bringing
together strong jerks and Dadaist moog deflagrations, and a
much more minimal, strictly electronic B side.
Situated somewhere between Pierre Henry and Michel Colombier's
Messe Pour Le Temps Présent and Jean-Jacques Perrey's
Moog Indigo, Pop Electronique can be classed as one of those
pioneering and magical records which, at the end of the sixties,
dared savagely mix pop's grooves and rhythms with the futuristic
electronic sounds of the first synthesisers. |
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