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| Listen! |
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20.00 |
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| Revisiting
Obscure Film Music Volume 1 |
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performed: orgasmo sonore
format: limited 200 vinyl LP
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LPs SEND US AN MAIL and we will combine shipping charges
TO SAVE MONEY.
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LP INVIACI UNA MAIL e noi combineremo la spedizione
così da RISPARMIARE.
info@onlyscore.com
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| tracks |
01. Mistico e Severo (Ennio Morricone)
02. Deshominisation I (Alain Goraguer)
03. Escape from New-York (John Carpenter)
04. Under the Earth (Alejandro Jodorowsky)
05. Zombi 2 seq1. (Fabio Frizzi)
06. La Dolce Sandra (Stelvio Cipriani)
07. Incubo Sulla Citta Contaminata (Stelvio Cipriani)
08. Ecologia del Delitto (Stelvio Cipriani)
09. Connexion (Goblin)
10. Chaser (Piero Umiliani)
11. Klaus Kinski (Orgasmo Sonore)
12. Jean-Pierre Melville (Orgasmo Sonore) |
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| further information |
| Limited edition 200 copies
Interpreting the music of:
Ennio Morricone, Stelvio Cipriani, John Carpenter, Fabio Frizzi,
Goblin, Alain Goraguer, Piero Umiliani, Alejandro Jodorowsky
All music by Orgasmo Sonore |
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| description |
There was a time when music for film wasn't
just a generic background for the visuals on screen.
Sadly, that is what I think of most modern film scores.
Very few original soundtracks have moved me in the last couple
of years.
One exception being Jonny Greenwood's compositions for
Paul Thomas Andersons film "There Will Be Blood".
I often return to the work of the 1960's and 1970's
era film composers.
Without a doubt, the output from that period is far more than
just background for film.
It was a real golden age of music.
It's not a surprise Quentin Tarentino always picks from that
era to add a sense of larger than life to his films.
To me, the Italians were in a league of their own.
They were amazingly prolific and boldly original.
It's hard to believe that the bass line opening of Ennio
Morricone's "Mystic and Severe" is from 1967.
It sounds eternally hip and fresh, timeless.
I also admire that composers like Stelvio Cipriani have always
approached their work with all the professionalism of a classic
composer.
Even for the weakest of Joe D'Amato exploitation flicks.
A further influence of mine would be the omnipresence of Alain
Goraguers score in the philosophical sci-fi French cartoon
"Fantastic Planet".
This score blurs the line between music for film or film for
music.
It is definitively one of the best unknown soundtracks out
there.
I also pay great respect to John Carpenter and Alejandro Jodorowsky.
Who often composed the scores in their films as well as directing
them.
Which was, and still is not, a common practice.
They approached this process as merely an extension of the
film makers creative process.
This was a time when even the lowest grade productions were
calling a professional composer to score their film.
It was not uncommon for very obscure films to often give birth
to the best film music.
This just goes to show how much respect these filmmakers had
for the art.
Unfortunately, all too often many of the original movies have
been forgotten.
Although, a great number of their soundtracks still survive
and stand the test of time today.
As a musician, I couldn't resist the temptation of re-interpreting
some of these film scores.
I hope you'll enjoy this first volume of Revisiting Obscure
Film Music.
Produced by Frank Rideau |
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